A Reaping

Fiction ~ novel (kind of)
Published 1909
Approx. 72,000 words
(First read 21/01/2014)

... is the sequel to The Book of Months and is really just more of the same, only longer: it's no better, no worse, just more.

The 'action' picks up two or three years later: our faceless, originless, characterless, surnameless author-hero has now been married two years to the woman (Helen) he selected at the end of Months and Months for pretty well the sole reason that she was the dead spit of the departed Margery.  The couple mooch about between London and their house in the country (mostly the latter), often accompanied by Jack's cousin 'Legs', a kind of elongated 20-year-old puppychap, very likeable.  Jack has lost none of his chronic habit of tedious maundering.  I won't bore the pants off everyone by recounting any of the 'plot', just give selected 'highlights':
(1) September¹: Jack and Legs ~ and the dog Fifi² ~ have a mildly supernatural experience involving a so-called revenant.  It's a lot less interesting than it might sound.

(2) October: Jack and Helen do some gardening.
(3) November: Jack and Helen do some more gardening.  Legs nearly gets engaged.  And ... into this teeth-grindingly dull farrago of dusty drivel EFB sees fit to drop A Comic Character, in the shape of Mr Holmes, one of their neighbours in the country.

"He is a kind little gentleman, about forty-five years old, who lives with his sister, and does not do anything whatever³.  He is generally known as the Bun-hander, because no tea-party has ever been known to take place for miles round at which Mr. Holmes was not handing refreshments to the ladies.  That is his strength, his forte.  His weakness is just as amiable ~ though, perhaps, hardly so useful ~ for his weakness is Rank."

Before anyone gets excited at the prospect of an undiscovered Bensonian comic hero, I hasten to point out that Mr H isn't actually all that funny: as with the character of Mrs Murchison in Mammon & Co., EFB describes with glee everyone's (especially Legs') reaction to him without bothering to make the character himself especially comic.  Oh and he's gone in a flash.

(4) February: Edward Frederic Benson murders Legs for no reason whatsoever.
(5) April: Jack and Helen, but mainly Jack, goes on holiday to Greece and bores us rigid with that for what feels like 300 pages but is in fact only 14.  As an example of how supremely turgid the Benson prose gets when he's waxing lyrical about the ancient world, I'll quote this stupefyingly bad sentence:

"Never, so we must believe, during that wonderful century and a half, when from the ground, maybe, of the lifeless hieratic Egyptian art there shot up that transcendant flower of loveliness, of which even the fragments that remain to us now, battered and disfigured as they are, are in another zone of beauty compared to all that went before or has come afterwards, was anything ugly produced at all, except as deliberate caricature."

I defy anyone not to turn blue with tedium reading this section.
Okay enough! ~ I've already wasted far more time than I intended to on this.
NOT RECOMMENDED, but if you're feeling very brave it's available online here.


¹ Like it's predecessor, A Reaping is divided into twelve month-long chapters.  But for no discernible reason it starts at June this time.
² Yes: Fifi.
³ Jack presumably hasn't heard the thing about casting the beam out of one's own eye ...

THE CRITICS

A Reaping (1909) is not a novel to shine.

~Brian Masters in The Life of E. F. Benson, 1991 

There is nothing to hold against the Benson brothers but their unfailing industry. Nothing can swerve them from the path of producing a book or two a year. It remains, therefore, for their readers to accept the fact that the matter contained in the books must be slight. A Reaping, by E. F. Benson, is slighter than usual. It is unconventionally invented, the chapter headings bearing the names of the months and the structure being of a rather straggling and casual kind. The usual ingredients, however, are to hand; meditative à la A. C. Benson; the third brother's unfailing interest in the god Pan; also his lasting interest in women's hair, which the author brushes and describes much as he has done in The Climber and other volumes. There is also a ghost, a warning, reflections upon death, à la R. H. Benson, as well as a great deal of charming landscape and light laughter. The doctrine is Stevenson's of cheer and kindness at all costs; excellent doctrines, but not gripping nor vitalizing. It is sad, but somehow the ultimate amiability of all things was always and remains still a tepid inspiration. The book is very gentle, sweet-spirited and kindly, and if it were by a young and unknown author we should hail it with pleasure and delight; but Mr. Benson must submit to the criterion of his past. Our demand upon him is like that the little schoolgirl made of the readier elder sister who wrote her compositions for her week by week: "Now be sure and make me improve a little since last time," she would urge. We want Mr. Benson to improve a little each time. He is still quite young enough, and we recommend a stern experience of deprivation and misery or a very undermining course of reading; not so much that he may, as Nietzsche might say, hold more correct views, but that he should liberate himself from what is customary either successfully or disastrously. It is a great doctrine to set one's faith upon, that a big failure is better than a slight success.

~The North American Review, April 1910 (edited for crap spelling etc.)

Ravens' Brood

Fiction ~ novel
Published August? 1934
Approx. 104,000 words
(First read 30/07/2002; second read 28/11/2013)

There's no two ways about it: Ravens' Brood is fun ... in comparison with a lot of the rest of EFB's output.  Okay so it's fun of a rather rarefied, perverse kind, but what the hell.

Set in the second half of the 19th century, it tells the story of a consummately dysfunctional family all living in a heap (well, in a farmhouse, actually) in rural Cornwall: John Pentreath, a part-time religious fanatic and full-time alcoholic; his second wife Mollie, a demented harridan supposedly gifted in folkloric supernatural stuff; his widowed daughter-in-law Nancy, a preening gadabout with an eye for anything in trousers; his stroppy-strapping grandson Dennis; and Mollie's niece Nell.  John and Mollie are estranged, to put it mildly; he lusts after Nancy when he isn't slagging her off for being a jezebel; Mollie lusts after him; Dennis and Nell lust ~ fairly chastely ~ after one another.

Well, obviously, lust is the key.  As Geoffrey Palmer and Noel Lloyd say in their introduction to my copy¹, amongst Benson's other stuff Ravens' Brood "stands out like a cromlech in a cornfield ... black magic, sexuality, blasphemy, violence and ecstasy surround and penetrate the plot and characters."
I'm not saying any more: I recommend it.  But don't read it in the expectation of finding light social comedy in it.  Expect, rather, to put it down and say, "Blimey, did the author of Mapp and Lucia really write this?"

¹ Published by Millivres Books, 1993.

P.S. This has only just occurred to me today [28/01/14]: 'Ravens' Brood' isn't the name of the Pentreaths' farmhouse, which doesn't appear to have any particular name; also, to the best of my recollection, Benson never refers to the family as being like a bunch of young ravens; in fact, there's no mention whatsoever of ravens in the book.  There is an owl, though. 

"Rip me bodice, bigfella!"

STOP PRESS! ~ apparently the late Mr Rock Hudson owned a copy of Ravens' Brood ~ LOOK.

OTHER CRITICS

A bit far-fetched perhaps, but this suggests an English counterpart of Tobacco Road*, in its picture of degradation and its atmosphere of hate and depravity and sexual desires, in its ironical contrasts of belief and action, in the sense of its being a world removed from current life. Not a pleasant book, as one can guess by the above. Farm life in Cornwall against which is played out the drama of old John Pentreath's fear of God and love of the flesh and drink, and his growing hatred of his grandson Dennis, [whose] saneness alone lifts the story out of an abyss of degeneracy. A far cry from Benson's usual work.

 

~Kirkus Reviews, no date.  * A 1932 novel by Erskine Caldwell.  Never heard of it, I'm afraid.

 

Boxing Night

Fiction ~ short story
Published in The Tatler, 30th November 1923
Approx. 5,700 words
(First read 27/12/1994) 

In this one it's Hugh Grainger who gets to tell the story, which is of two sisters living in an isolated farmhouse in Romney Marsh who both dream the same premonitory dream, which comes to pass ... kind of.   You couldn't really call this a 'ghost story' because there aren't any actual ghosts in it, just premonitions.  As Hughie says:

Ghosts, clairvoyant visions, true presentiments, and dreams are all glimpses of the unseen [...]  Such messages and messengers come from we know not where, and we know not how they come, but certainly they do come.  Often the very act of communication appears difficult: those beyond the ken of our normal perceptions find it hard to get into touch with us, and often the messages get distorted or bungled in transit.

Boxing Night deals with one such distorted message.  Not a bad story at all.  Available in The Technique of the Ghost Story (1993) and in Fine Feathers and Other Stories (1994), but sadly not available online at present. 


THE CRITICS

[…] No. 12, The Top Landing, and Boxing Night are short, sharp and gruesome. They ring the changes on some favourite Bensonian themes of suicide and premonition, paranoia and nightmare, fitting in fine with the more familiar tales included [in the collection].

~Alexis Lykiard. Quoted from his review of Ash-Tree Press' Mrs Amworth, first published in All Hallows magazine, 10/2001