Showing posts with label Wuthering Heights. Show all posts
Showing posts with label Wuthering Heights. Show all posts

Monday, 25 August 2014

Friendly Russia

Tsar Nicholas II: "Cute but dim." —L. Trotsky
Non-fiction ~ essay
Published in The Herald [Tamworth], 19th June 1915*
Approx. 1,500 words
(First read 25/08/2014)

In a shameless bit of propagandizing, EFB sings the praises of Russia.  Unfortunately my knowledge of the various campaigns of the First World War is pretty hazy (particularly as regards the Eastern Front), so I'm not sure why Benson felt the need to produce such an article at this precise moment.  In truth, about three quarters of it is more 'Hymn To Holy Russia' than 'Believe Me: Russia Is Okay'.
He begins by praising the progress that Russia has made over the past 20 years in dragging itself into approximately the middle of the 18th century.  [Oops, I'm editorializing here.]  After comparing the country's approach to its disastrous war with Japan as that of a 'careless, contemptuous and derisive' schoolyard bully [remind you of anyone?], he claims Russia 'grew up' as a result.  Yeah right.
Our intrepid propagandist then goes on to argue that the English and the Russians are kindred spirits, finishing his paragraph with this flight of fancy:
[...] epithets are always unsatisfactory, and to take a concrete illustration, which puts the matter in a nutshell, we may say that Wuthering Heights, by Emily Brontë, perhaps the most distinctively English novel in our language, is completely and essentially Russian. The whole spirit and sentiment of it, the love and the ruthlessness of it, its stern fatalism, its noble tenderness, come not only from the moors of Yorkshire, but from the heart of Russia.
I can more or less see his point here.
Nige Insky in Afternoon Fun (1912)
EFB next tackles Russian Culture, which he ~ inevitably ~ thinks is wonderful: while admitting that not all the icons he names are Russian strictu sensu (Chopin had decidedly Polish leanings, apparently), he omits to mention that they're all comprehensively dead ~ the most recent is Rimsky-Korsakov.  Stravinsky was churning 'em out in 1915 ~ but I dare say Fred would sooner have eaten his own feet than mention him.  He might've given poor old Nijinsky a nod, though.
In the last section EFB talks about the 'removal of misunderstandings' between the UK and Russia, over India, the Black Sea, y'know ... little things like that ~ least said soonest mended.
Benson's ideas about Russia are (particularly with the benefit of hindsight) distinctly half-baked, romantic, idealistic ~ but I'm fairly sure he never visited Russia or even got anywhere near it, and the essay is meant as a piece of 'puff', so we'll let him off.

*This is indeed where I found it: it's marked 'All Rights Reserved' so I'm assuming it was an exclusive.  As far as I'm aware, EFB had no association whatever with Tamworth.



The article is reproduced in full below ... well, in full except for a few illegible bits (suggestions welcome!).  This is, to the best of my knowledge, the first time it's appeared free of charge for all the world to see since it's first publication 99 years ago.

Friendly Russia by E. F. Benson
Never perhaps in the history of the world has any generation seen such amazing change take place in a people as the last twenty years have seen in the case of Russia. It is not that the character of the nation has altered, for the character of nations as of individuals is their one permanent and constant possession, and can no more be changed than can the skin of the Ethiopian or the spots of the leopard, and persists through any vicissitude of disaster or expansion of victory that may happen to them. But in all except character (that collective individuality which marks off nation from nation and people from people) it is impossible to conceive a greater contrast than the aspect presented by Russia of a generation ago when compared with the stern, calm and sober millions, who both in the battle-line and in the vast territory behind it wait in unshaken confidence for the inevitable issue of their conflict with the barbarism that has suddenly flamed out in central Europe. Unchanged in character, in the essentials that lie at the base of the nation's soul, Russia of to-day has nothing else in common with the Russia of twenty years back.
FROM YOUTH TO MATURITY
The change is one of growth and civilised development. Conscious and rightly conscious of her enormous strength, Russia entered the Japanese war, careless, contemptuous and derisive. She was like some huge youth, who, untrained, and without control of his limbs or knowledge of how to use them, went out, hardly taking off his coat, to fight a practised and intelligent foe, who with not one quarter of his adversary's bulk, was quick, decisive and disciplined. There were other disadvantages, circumstances also which have never been fully appreciated, for at that time Russia was not only at war with Japan, but with herself; she was internally dismembered by sedition and revolution, and was shaken by the storm of intestinal trouble. She was beaten, and then there began to rise in her the leaven that was already there, the leaven of her dawning maturity, of her sense of national responsibility. She said nothing, for Russia in adversity is as silent as her own winter nights, but shutting her door, she set herself to win the place that she knew was rightly hers in the hierarchy of the nations. She had been, as we have said, like some big, unthinking boy, and now she disciplined herself into manhood. But her character did not alter, she developed on her own lines, but grew in mind and in self-control. She schooled herself after the example of her own great men with the result that, as far as military matters go, she knows now how to use her inexhaustible strength in sobriety and wisdom and faithfulness to herself and her friends.
It is to English people more than to any of the nations of Europe that the Russian character so strongly appeals. A very foolish proverb, often quoted and supposed to be enlightening, tells us that if you scratch a Russian you will find a Tartar. That is so flippant a view that it only deserves the flippant answer that if you scratch anybody you will probably rouse his temper. But if you make friends with a Russian, if you try to be in sympathy with him instead of scratching him, you will find a very different being. You will discover a loyalty and simplicity that are child-like in their unquestioningness, you will find too, whether your Russian is a boulevardier of Paris, or a moujik of the central steppes, a wild romantic soul that reminds you of the sea at dawn, dim and immense and utterly indescribably. It is a northern nature like ours, sensitive to ridicule, shy of expressing itself, and above all romantic, with the romance of the north. But epithets are always unsatisfactory, and to take a concrete illustration, which puts the matter in a nutshell, we may say that Wuthering Heights, by Emily Brontë, perhaps the most distinctively English novel in our language, is completely and essentially Russian. The whole spirit and sentiment of it, the love and the ruthlessness of it, its stern fatalism, its noble tenderness, come not only from the moors of Yorkshire, but from the heart of Russia.
RUSSIAN CULTURE
We have been told very often during the last six months from Berlin and other places where the Kaiser has been, that the conclusion of the present war willwitness the spread of German 'Kultur' over the whole of this fortunate planet. We are learning a little about German Kultur, and have been permitted to see it cursorily at work in Belgium, and as the weeks go on we are happily beginning to realise that this infernal millennium is getting further off than ever. But we see more and more that another element of civilisation, not enforced by megalo-mania and barbarism and piracy will certainly take its place. For a long time now those who have studied Russian literature, Russian music, and the Russian arts, generally have been aware of the wonderful culture. Turgenieff, Gogol, Lermontoff, Tolstoi expressed it, and in music Chopin, Tschaikowsky, Rubenstein, Rimsky Korsakoff were among its children. Some of these were Poles, other were Cossacks, but all in spirit as in nationality belonged to Russia, and all of them had that sea-like unfathomable suggestions which is the meaning of Russia, and with which in arms as in instincts we find ourselves so intimately allied. It is not easy to express or to give any definite account of the quality that underlies it, for it appeals much more to the emotions than to the mind, and produces in us not so much a train of thought as a mood, often sad, sometimes deliriously light-hearted, but always with the glamour of large spaces and infinite horizons about it. Though trained and ordered, the fruit of industry and endless patience, it never degenerates into artificiality, or loses itself in mere technique. The quality which, after all, is best called Russian, permeates it; it is always romantic, always elemental, born of the steppes and the limitless plains, and the Arctic night light by the remote Aurora of the north. For a long time now its first freshets, the rivulets that earliest began to come down from the vast mysterious [hills?], have been flowing westwards, and they come to us bringing the sense of home with them.
MISUNDERSTANDINGS REMOVED
Already in this crisis of the danger common to Russia and to us, namely the barbarous nest of hornets in the midst of Europe, much misunderstanding has been removed from between us and our Eastern allies. No longer do we fear or have cause to fear what we thought of for years as the Russian menace to India. Germany, who for so long has tried, not always successfully, to promote dissension between nations with whom she professed friendly relationships, no [illegible] one time did encourage our Ally to [illegible] warm-water outlet southwards, and point a diplomatic finger towards India and the Persian Gulf. Now in the utter ruinous fiasco that has befallen Teutonic diplomacy, and now that the day prophetically [illegible: probably dreamt] by Bismarck has dawned, (and that [illegible] ) friendship between Russia and England [illegible] Russia looks, and will not look in vain, towards its natural outlet through the Black Sea and the Dardanelles. Hereby another misunderstanding has been removed, for even as in Whitehall it was thought that Russia turned longing eyes to our Eastern Empire, so in Petrograd it was believed that England would fight to the last drop of her blood in preventing Russia from obtaining this access to the Mediterranean. And once more we are indebted to the blundering diplomacy of Germany, which instead of fomenting has but healed the mutual distrust which for years existed between us and our Ally.
A cordial understanding, an unswerving purpose unites us with France. We work with our Latin neighbours in complete accord; we admire and revere their wit, their warmth, their brilliant achievements in the arts of peace no less than their courage and tenacity in these critical days, but I cannot believe that we are such natural allies with France as we shall prove to be with Russia. Let there be no misunderstanding: it is not that we need anticipate difficulties with our Western Ally, or feel that tact will be necessary to secure the solidity of our alliance; only, in Russia we seem to have found, now that all ground of misconceptions has been removed, our natural and ideal friend. A psychical affinity binds us to her, a certain unity and accord of character that is worth all the treaties in the world, for though they will be loyally kept they cannot in binding force equal or approach the inviolability which springs from characters that naturally fit each other, and from the identity of aims that are dictated by primal and ingrained instincts.

Reproduced from The Herald [Tamworth, Staffs., UK], 19/06/1915




Sunday, 27 July 2014

The Brontës

Courtesy of the National Portrait Gallery not really 
Non-fiction ~ article/essay
Published in The Spectator, 7th February 1931
1,090 words
(First read 27/07/2014)

This article falls into two halves.  The first recounts the publishing history of Wuthering Heights, Agnes Grey, The Professor and Jane Eyre, quite a saga in itself.  The second deals with a subject which EFB talked about at greater length in his book on Charlotte, viz. her seemingly total lack of understanding of any kind of her sister Emily.
Fans of Brontëana will enjoy this, though they're unlikely to learn anything new.
It can be read online here.

Tuesday, 29 April 2014

Reading in Bed

"Wow! this Persuasion is hot stuff!"
Non-fiction ~ essay
Published in The Spectator, 5th May 1928
1,035 words
(First read 29/04/2014)

One of those "It does exactly what it says on the tin" jobs: EFB ruminates on the pleasures of reading in bed, advises on what to read and what not to read ~ Jane Austen falls into the first category, Wuthering Heights into the second, but he of the no-doubt-stripey jimjams favours above all else things like 'the note-books of Samuel Butler' (whoever he was) and the Essays of Elia (whatever they might be).  Still, it's mildly diverting.  It can be read online here, in or out of pyjamas.

Thursday, 20 March 2014

Mother

Non-fiction ~ memoirs
Published 1925
Approx. 62,000 words
(First read 20/03/2014)

Mother is the highly enjoyable sequel to Our Family Affairs: 1867-1896 (1920).  I presume the only reason Fred didn't call it Our Family Affairs: 1896-1918 is that he wanted to leave an enduring tribute to his much-loved mother.  Yes, Mary (Sidgwick) Benson (1841-1918) is the focus of the book but she's far from being the exclusive focus.  A good two-thirds of it is devoted to other family members, in this order: EFB himself, his doomed sister Maggie (1865-1916), brother Hugh (1871-1914), the family nurse Beth (1819-1911), and, somewhat bringing up the rear, brother Arthur (1862-1925). 
Rather than whiffling on endlessly I'll just pick out a few highlights.
George I of Greece
EFB, after performing relief work in Greece following some kind of war they had there in the 1890s¹:
When I got home I was told by Lord Wantage, the head of the Red Cross, that King George of Greece had expressed an amiable desire to decorate with the Order of the Redeemer two of those who had been engaged in this relief work, and that my name had been recommended.  But from that day to this I never heard a word more about it, and the mystery as to whether the Order of the Redeemer was lost in the post, or whether King George, on second thoughts, considered that it would be too much pleasure, remains unsolved.
 EFB on Oscar Wilde in his prime²:
[...] Oscar Wilde was producing the plays which, however artificial they may seem now, sent his audiences reeling into the street, intoxicated by epigram and paradox.  None of them had the smallest spark of immortality, except possibly The Importance of Being Earnest, but they were very new, and their audacious nonsense was very like wit.
No comment.
My and EFB's sentiments on this subject tally exactly:
[...] the greatest wizard of all was Emily Brontë: how many times I have read Wuthering Heights I have no idea, but never, in spite of the clumsiness of its narration, have I laid it down without the firm conviction that it stands alone at the head of all novels in the English language.
(Rather like Mother, EFB's Charlotte Brontë (1932) is as much ~ if not actually more ~ about the other members of the family, especially Emily.)
EFB on what his mother thought of the Benson brothers' books, particularly Fred's, circa 1905:
Mary Benson at 19
[...] it was becoming common knowledge between her and me that she found the sort of book that I was writing now quite intolerable, [...] none of us yet had written anything that gave her any sense of personal pride. [...]  Some struck her as too quietist for the world [Arthur's], and some too worldly for her own quietism [Fred's]; some were propagandist of beliefs she did not share [Hugh's], and some were sentimental, and some were crude, and I feel convinced that she never read twice anything that any of us had written, nor indeed would have read much of it all once, if it had not been we who had written it.  She liked "bits" in most [of them], but not one spark of inspiration, not one crumb of the bread of life, did she find in any of them.³
Francis Yeats Brown
The section in which EFB talks about his close friendship with the young Francis Yeats Brown⁴ is interesting and ~ possibly ~ more revealing than he intended.  FYB was about 20 years younger than EFB and, at the start of their friendship, which apparently lasted several years, aged about 20.  And oh my! do those holidays they spent together in Italy ever sound idyllic under Fred's pen!
[...] the love of the sea and the swimming and the basking, and presently we spent inseparable days among rocks and sea-caves, or climbed, perspiring, through the woods of chestnut and laburnum to the Portofino Kulm [...]  another summer I settled down with him from May to August in that enchanted castle of Portofino.  [They slept in hammocks side by side in the garden]  And as long as I live I shall bear in my inward heart of happiness that nightly falling to sleep in the open, with the scent of stocks, and the drowsy pulse of the sea below, and the stars burning in the boughs of the stone-pine, and the black shadow of the castello lying across the white, moonstruck garden, and the sense of a drowsy friend in the hammock close by.
Now I ask you, Gentle Reader, if that isn't Love, what is?  (By contrast, there's none of this kind of rapture ~ in fact, there's no rapture at all ~ when he talks about his dealings with John Ellingham Brooks, the shirt-lifting pal he shared a house with on Capri ...)
The section in which the author recounts the final decline and death of the family nursemaid Beth, who served the Sidgwicks and the Bensons faithfully and with love for 77 years, is pretty well guaranteed to have you reaching for a hanky.  It did me.  [For more on Beth, see Across the Stream.]
Gaaah! this is going on forever! ~ okay, I'm going to wrap it up here.  I highly recommend Mother for anyone who has the least interest in the Benson family, Fred in particular: the book is ram-full of goodies, far too many to mention.

¹ "Don't blind us with details, Ewie!"
² Benson returned to the subject of Wilde ~ and was slightly less dismissive ~ in As We Were (1930).
³ For the happy ending to this subject see under David Blaize.
⁴ (1886-1944); author of The Lives of a Bengal Lancer (1930). 

STOP PRESS:
A certain Mr Rodney Bolt has produced a biography of Mary Benson, the splendidly titled As Good as God, as Clever as the Devil: The Impossible Life of Mary Benson, published by Atlantic Books in 2011. 

Wednesday, 8 August 2012

Reconciliation

Fiction ~ short story
Published in Hutchinson's Magazine, July 1924
Collected in Spook Stories (1928)
5,590 words
(First read 08/08/2012) 

Reconciliation is EFB's hommage to his favourite novel, Emily Brontë's Wuthering Heights.  Luckily for us he doesn't set it in the wastes of Northern England¹ but in an unspecified location in the South, possibly Hampshire or Dorset, though it could equally well be Cornwall or Kent.
Hugh Verrall's family have owned Garth Place since the time of Queen Anne², when his ancestor and namesake took it in payment of gambling debts from the previous owner, a wastrel named Francis Garth.  The latter died in penury shortly thereafter and proceeded to haunt the place for some time but, at the time our story happens, the hauntings have been in abeyance for some while³.  Now then, when our Unnamed Narrator comes to stay, the ghost makes a reappearance and hangs around right up until the time⁴ when, for unrelated reasons, Hugh is forced to sell the house ... and sells it to a direct descendant of the original Francis Garth.  Obviously the ending is a happy one.
Verdict: Far more interesting as a take on Wuthering Heights than as a ghost story ~ U.N. (as lily-livered as ever) seems to be the only person actually afraid of the spook, which does nothing more significant than ... well, hang around a lot ~, Reconciliation is a pleasant if somewhat long-winded read.  It's available online here.


¹ Unlike, for example, Corstophine (also 1924). 
² Which is to say circa 1700.
³ For some mysterious reason Benson, usually the stickler for precise time periods, is very reticent on the numbers here.
⁴ Sorry, I'm making a gash of this but the time frame is a pain to describe: U.N. starts in the present, recalls his first visit to Garth Place, during which he was told the Garth/Verrall story that happened 200 years previously, then returns to the visit, and finally back to the present.

Friday, 1 February 1980

"Books That Have Helped Great Men": E F Benson's Selection

My favourite film Heathcliff (Timothy Dalton)
On 22nd October 1927 The Spectator asked some 'great men' to name the books that had most influenced them:
Mr. E. F. Benson adds a philosophical aside to his selection : "No book that is worth reading ever had anything but a bad influence on any author. What he invariably picks up (if he picks up anything) is its defects. Its merits are always the incommunicable secret of the individual writer. But usually he picks up nothing. The three books that have thus most influenced me are: (1) Le Livre de la pitié et de la mort, by Pierre Loti. I derived from it a poisonous streak of sentimentality. (2) Othmai, by Ouida, from which I caught an adolescent habit of 'rich' description. (3) Wuthering Heights, by Emily Brontë, from which I learned clumsy mechanism."
 Just thought I'd mention it. 

Ouida (Louisa de la Ramée)