Showing posts with label Arundel. Show all posts
Showing posts with label Arundel. Show all posts

Thursday, 28 August 2014

Mr Teddy

Fiction ~ novel
Published June 1917
Appeared in the United States as The Tortoise
Approx. 83,000 words
(First read 28/08/2014) 

Mr Teddy is not at all bad.  Like EFB's 'masterpiece' An Autumn Sowing, which appeared just a few months after this, it tells the story of a middle-aged man.  The hero of that book is 50; Mr Teddy has just turned 40¹.  Both novels offer intimate² portraits of gentlemen very conscious of the fact that they've reached the second half of their lives ~ and haven't had totally successful first halves.  Teddy ~ Edward Heaton in full ~ has dedicated his to the care and entertainment of his not-really-an-invalid mother.  In breaks from these activities he's made a career of being the life and soul of Society in the village on the Sussex Downs where the novel takes place in its entirety.  A few years ago ~ well, fifteen, if we're honest ~ he came close-ish to developing an 'understanding' (no more than that) with the village's jeune première, Daisy Macdonald, now rapidly approaching middle age herself and still burning a candle for Mr T.  But alas, Mother came first.
Telscombe, East Sussex
The novel tells the story of the 'reuniting' of these star-crossed lovers.  Naturally, this being E F Benson, their path doth not run smoothlieth, but they get there in the end.  For once I'm not going to say any more about the plot ~ if you'd like more details, have a look at the reviews below.
The pace is, as ever, leisurely, but there's a sufficiency of plot for it not to appear dragging.  The characters are nicely drawn, particularly Daisy and her sister Marion, a very distant relative of Quaint Irene from Mapp and Lucia with a mannish maid-of-all-work named Parkinson³.  The humour is mostly gentle ~ EFB is kinder on Mrs Heaton (Ted's mum) than he was, for instance, on Mrs Hancock in Arundel (1914): the two are much the same character.  Everyone is impeccably EFB-Edwardian-English: gentlemanly, naïve, kind of innocent; only the vicar's wife ~ Mrs Vickary, who lives at the Vickary-age ~ comes in for anything like a vitrioling.
Its main defect ~ apart from the habitual excess of internal monologue, and even that's smaller than usual ~ is that, as often happens, Fred takes his eye off the ball to concentrate on the story's (true) Young Lovers for too long, and they're as hackneyed as all his other young lovers.
Oh and there's an ice-skating scene which goes on too long ... but does at least serve a purpose.
Apart from that, I recommend Mr Teddy.  But it doesn't appear to be available online, unfortunately.


¹ I'm tempted to believe that EFB wrote Mr Teddy in 1907 when he was 40, and kept it on the shelf for a decade, for unknown reasons.
² Very intimate in Teddy's case: we first meet him as he's contemplating his face while shaving on the morning of his 40th birthday.
³ Not the only Benson maid to bear that undistinguished surname ... which happens to be my surname [angry face].

THE CRITICS

It is my deliberate verdict that Mr. E.F. Benson is (as my old nurse used to express it) "in league with Somebody he oughtn't." I hope, however, that he will understand this for the extorted compliment that it is, and not magic me into something unpleasant, or (more probably) write another book to prove to my own dissatisfaction that I am everything I least wish to be. That indeed is the gravamen of my charge: the diabolic ingenuity with which he makes not so much our pleasant vices as our little almost-virtues into whips to scourge us with. All this has been wrung from me by the perusal of Mr. Teddy (Fisher Unwin). Even now I can't make up my mind whether I like it or not. The first half, which might be called a satire on the folly of being forty and not realising it, depressed me profoundly. I need not perhaps enlarge upon the reason. Later, Mr. Benson made a very clever return upon the theme; and, with a touch of real beauty, brought solace to poor Mr. Teddy and consolation to the middle-aged reader. I need give you only a slight indication of the plot, which is simplicity itself. Into the self-contained little community of a provincial society, where to have once been young is to retain a courtesy title to perpetual youth, there arrives suddenly the genuine article, a boy and girl still in the springtime of life, by contrast with whom the preserved immaturity of Mr. Teddy and his partner, Miss Daisy, is shown for an artificial substitute. Baldly stated, the thesis sounds cynical and a little cruel; actually, however, you will here find Mr. Benson in a kindlier mood than he sometimes consents to indulge. He displays, indeed, more than a little fondness for his disillusioned hero; the fine spirit with which Mr. Teddy faces at last the inevitable is a sure proof of the author's sympathy.
~Punch, 20/06/1917
Mr E F Benson must have written Mr Teddy […] in a very leisurely manner. It is a story which has scarcely any plot and the lightest of character sketching. There is something indefinite about all the persons who revolve in the orbit of Mr Teddy, who is a bachelor of forty, a dabbler in art, and the slave of a mean, hypochondriacal mother who tyrannises over the meek son. With her death he obtains freedom, and as he somehow contrives to look and act like a young man of twenty-five, he begins to plan the recapture of his sacrificed youth. So we follow Mr Teddy through a maze of tea parties, picnics, and tennis tournaments until he mentally resolves to marry. His late decision, however, is marred by the quicker wit of his young friend Robin, a delightful creature who makes all his companions seem like dolls in comparison. So in the end meek, indecisive little Mr Teddy takes a back seat and proposes to another lady in a bored moment. It is all very simple and clearly written, but Mr Teddy is not a man, but an amiable abstraction. Remembering Mr Benson in his more successful moments, our thankfulness for this novel is tinged with a little melancholy.
~Liverpool Daily Post and Mercury, 20/06/1917
There is nothing remarkable or ambitious in this quiet tale of middle-aged romance, but Mr Benson, with his inimitable power of satire and character portrayal, his exquisitely pointed epigrams and worldly wise generalisations, gives us a faithful study of English South country village life, its snobbishness, its unconscious humour, its petty gossip and easy-going pleasures. Mr Teddy, the heor, a happy-go-lucky artist of forty, has frittered away his early days and best opportunities in devoting himself to his somewhat querulous mother of many imagined maladies. After her death ~ and nothing in her life became her so well as her exit from it ~ Mr Teddy sighs for opportunities lost and gone, and on the entrance into the peaceful village circle of real youth, he endeavours to regain his lost youth. In this he is warmly seconded by a spinster friend; but seeing how youth goes out to youth, they recognise that the exuberant 'joie de vivre' of youth has passed from them, and they therefore sensibly console themselves with the ripe mellowness of autumn and leave the fragrant roses of June to the winsome boy and girl.
This quaintly picturesque novel, redolent of peaceful summer days in a sunny, rose-embowered cottage, is written with the touch of a true artist. None but Mr Benson could have given us the striking psychological portrait of Mr Teddy as so piquantly revealed in the first chapter; and who but Mr Benson could turn out such neat satires of snobbishness as he regales us with in every other chapter? Mr Teddy, though marked by little of the brilliancy of technique and finish of Dodo or Mr Blaze [sic], is yet a delightful production, fragrant and restful in these war days.
~The Aberdeen Daily Journal, 02/07/1917
Mr E F Benson writes every word of his charming stories with a fastidious pleasure that is quickly communicated to the reader, and it is good to find that in Mr Teddy […] he continues in this agreeable habit. He polishes the personalia of the minute village of Lambton with the quiet zest of a connoisseur of characterisation. The still fragrance of life as it surely is not lived now-a-days pervades the pages of his story, in which also Mr Benson does not scorn to give the tender spirit of romance and the mild, querulous humour of the elders a wise proportionate scope. One instantly appreciates Teddy, and traces his progress with leisurely satisfaction, while such delicate portraits as that of Rosemary, and the more robustly drawn Daisie and Marian, bear the authentic stamp of the artist in words. It is a book over which one lingers, not wishing to reach the end.
~The Yorkshire Post, 18/07/1917
A pleasant and peaceful little story of life in a provincial town. The hero, is a delightful person, but he was obviously a more than indifferent artist.
~The Spectator, 17/08/1917
[Mr. Benson's] pleasant England [...] is of the village neighbourhood rather than the 'county' aristocracy. Property and the social plane mean less to him than simple human nature as touched with personal whimsy and coloured by environment. His Honourable Mrs. Heaton, who is unable to forget that she is daughter of a peer, and exercises a sort of ex officio authority as 'invalid Empress of Lambton,' is one of the two persons in the present book to be drawn with a pen dipped in acid. For the most part, these friends and neighbours form an affectionate as well as close corporation for the conduct of the business of living; and the hand of satire with which Mr. Benson touches their foibles and quaintnesses is a gentle one. Teddy, the belated youth who at forty has not begun to live, is a delightful portrait. He is the 'tortoise' who, for all his sloth, is, after one desperate snatching at the vanished ecstasy of youth, to find quiet happiness in the person of his old 'pal' Daisy, waiting at his side. His mother the Honourable is a rather dreadful person, a lifelong 'mollusc,' toned down by a sort of death-bed repentance. The other members of the neighbourhood group are painted with deliciously good-humoured satire. The best of them all is Daisy's sister Marion, her labours as the literary genius of the community being not more absurd than her nature is doughty and loyal. Excellent also are the young pair who set the aging dwellers of Lambton to emulating their youthfulness, and are so blamelessly and hopelessly beyond emulation. This is a far better story than The Oakleyites, in which similar material was handled with less spontaneity and freshness. Mr.
Benson has no idea or 'message' to convey unless it be that the humours of ourselves and our neighbours are among the best sources of refreshment the Lord has given us, and that beneath them, we may flatter ourselves, there wells many a pure fountain of kind feeling and honest purpose.
~H. W. Boynton in The Bookman (US), 12/1917











 

Friday, 30 May 2014

The Economies of Mrs Hancock

Fiction ~ short story
Published 'by special arrangement' in The Courier [Taunton, UK], 28th January 1925¹
3,795 words
(First read 30/05/2014)

Yay! the welcome return of Mrs Hancock from Arundel (1914).  This one tells the story of Mrs H's marriage to the newly-widowed vicar Mr Martin (who barely gets a look in) and is set in the first six months or so of the Great War.  Utterly true to type, Mrs H/M decides in her infinite generosity to give Mr M a little run-about car as a wedding present, mainly so that she can continue to have exclusive use of her own massive motor, and on the proviso that he pays its running costs; when the beastly war starts she finds it the perfect excuse to make economies and retrench, so poor Mr M never gets his car.  Nor have any of the appeals from various charitable funds (the Soldiers' and Sailors' Fund, etc.²) had a solitary farthing from her by the time the story ends.  Very funny, if you like that kind of thing.

¹ I've no idea if this was the first-ever publication, I'm afraid ~ I would imagine, given all the references to the war charities, that EFB wrote this during the War itself, and that it was possibly published previously in 1914-18.  For another 'special arrangement' story that appeared in Taunton's The Courier, see The Dorothy Crystal Syndicate (1935).
² EFB himself was a keen supporter of the Sailors and Soldiers Tobacco Fund.


Below is the story reproduced in full ~ to the best of my knowledge ~ for the first time in 89 years, free gratis and for all the world to see.  Enjoy!

The Economies of Mrs Hancock by E. F. Benson
Heathmoor, generally, that salubrious and prosperous settlement, the houses of which for the most part stand completely detached, and surrounded by their own private gardens and croquet lawns, was much excited at the authentic news that Mrs Hancock, whose fiftieth milestone of life was already clearly in sight, was going to marry Mr Martin, the vicar of their newly-built red-brick church. Mr Martin, lately widowed, was a little younger (but not much) than his prospective bride, and thus it will readily be understood that the interest which the announcement aroused was not of romantic calibre, and was rather concerned with the financial aspect of this unexpected visit of Cupid. But finance formed so large an ingredient in the life of Heathmoor, whose male inhabitants almost without exception go up to the City every morning by the 9-6, and return, slightly richer, by the 4-40 from Marylebone in the afternoon, that they could give a more reliable verdict on the appropriateness of the match than if it had been complicated by passion or romance, about which they knew less. As it was, the important facts of it were that Mrs Hancock lived on the scale, more or less, of three thousand a year, with a handsome motor, a two-acre plot of house and harden, a butler and a lady's maid, in addition to the ordinary domestic service which was usual, while Mr Martin's professional stipend was four hundred pounds a year; with house. But he was believed to enjoy what is called 'a little money' from the decease of his first wife, while on the other hand Mrs Hancock certainly put by 'a little money' every years. The conclusion therefore that Heathmoor came to was that Mrs Hancock probably had four thousand a year, and Mr Martin twice as many hundreds. This conjecture was so near the mark that it reflected great credit on the financial acumen of the place.
It followed, as a corollary, that Mr Martin would be in more comfortable circumstances than had been his hitherto, while there was no need for retrenchment on the part of Mrs Hancock. The young people ~ there was a slightly tendency towards acidity in the Heathmoor comments ~ were going to live at Arundel, Mrs Hancock's very spacious villa, and the parsonage was to be let. And as the parsonage would certainly fetch two hundred and fifty pounds a year, there was no reason to suppose that there would be any diminution of excellence in Mrs Hancock's habitual hospitality. But though Heathmoor was inclined to be a little acid about it ~ Heathmoor is a very satirical place in its own quiet way ~ there as no doubt that the young people were sincerely attached to each other, and would, no doubt, be very comfortable together.
It must be supposed that Mrs Hancock thought so, since comfort was the ruling passion of her life, and she would go through any discomfort to procure it. The financial aspect of her adventure also had concerned her as much if not more than it had concerned her friends and neighbours, and months before the event was to take place she had busied herself with contriving little economies with a view to meeting the outlay that the joint occupation of Arundel would entail. She meant her husband to be thoroughly comfortable also, and thus was prepared to turn the best spare bedroom into a sitting room for him, and give him as a dressing room, the original best spare dressing room that adjoined it. Similarly, she was seriously considering whether she would not buy him a small car which would really be quite at his own disposal for his regular parish work, and his no less regular games of golf. The running expenses of such a car were very small, so she had ascertained, whereas the road to the golf links was very trying for a heavy car. Besides, such an arrangement would leave her with complete command of her own car, and she could not dream of letting Alfred continue to go afoot everywhere as he had been accustomed to do. There was something of the personal dignity of the man who was to be her husband that must be considered.
The marriage was to take place in September, and on one fine evening in July when the two were talking together, before he went back to the vicarage for the night, she discussed with him some of these opulent plans for his comfort. Her kind brown eyes beamed with pleasure at the enumeration of her own unselfish thoughts, as she sat in the window of the drawing-room at Arundel, after routing her new Patience twice in succession.
“Alfred, my dear,” she said, “I have been thinking over so many plans and arrangements to-day. Is it not a lovely night, and would you open the window a shade more? I do not think I shall feel the draught if I sit well back in my chair and if I do, perhaps you would close it again. Well!”
A smile of content at her own generosity played round her mouth. But, before she proceeded to her announcement a sudden thought struck her. The running expenses of the new car, as has been mentioned would be small, and now her delicacy suggested to her that her husband might feel himself less burdened by her gift, if he paid for his petrol and tyre bill himself. She had been prepared to do that, too, when she made her original plan, but now a finer instinct asserted itself. But there was a little draught from the window, even if she leaned back.
“I think I must trouble you, dear Alfred,” she said, “to close the window again. I might catch cold sitting here, and how would you like to have me laid up, and perhaps catch a cold from me yourself? I could not forgive myself if you did. Thank you dear! That is quite comfortable.”
It was pleasant to put off the moment of her great announcement like this, tasting the delights of anticipation.
“Now I have made up my mind,” she said, “that before our marriage I am going to order a new little car. And who do you think is going to drive in it? Why you, my dear. It is to be yours, for your very own, as the children say, to take you to your golf and your district visiting. And the more you use it, the better shall I be pleased. There!”
Mr Martin had taken the rôle of Prince-Consort, so to speak, from the very first. He was quite aware that he was about to marry the Queen of Heathmoor; and though he was accustomed to strike the attitude of a proud, independent Englishman, he was not above receiving benefits from his future wife.
“My dear, you are determined to spoil me,” he said. “Fancy me with a motor of my own.”
Mrs Hancock beamed with pleasure.
“And I'll be bound that you learn to drive it in no time,” she said, “with Denton to coach you. And they are so cheap to run too. I daresay that your petrol bill won't be more than a pound a week. And I gave orders to-day about the door being cut between the best spare bedroom, which is to be your study, and the dressing room, so that you'll be quite snug there. As I told you, I shall always tap on your study door, if I want to see you, so that you'll only have to call out “Go away, Julia” if you're busy, and I shall not come in to disturb you. Look, there is a thrush on the lawn. There! It is running away into the bushes. Has it got a study and a dressing-room there, I wonder?”
The entrance of Mrs Hancock's butler with the evening paper put an end to any further pretty conjectures about the thrush's domestic arrangements, and Mr Martin took it under the lamp to gather and retail the news.
“Upon my word, things look very threatening,” he said. “Germany has insisted on Russia's ceasing to mobilize.”
Mrs Hancock noticed that the thrush had run out of the bushes again, but bent her mind to European affairs.
“How tiresome Germany is!” she said, “and Russia, too, for that matter. What a pity that nations are not like us and find enough to do in their own home without wanting to quarrel with other people. What do you think will happen next, Alfred?”
Alfred swiftly glanced to see what the leader writer thought would happen next.
“Hard to tell,” he said. “Personally I should not be surprised if Germany declared war on Russia.”
“Dear! What a disturbance that would be. I think I shall have just one more game at his new Patience, before I go to bed. Germany and Russia at war! I am glad it will be so far away.”
The events of the week, however, brought this remote conflict nearer home, but even when the Allied Armies were in retreat from Mons, Mrs Hancock felt but the faintest personal interest in the matter. She had no relatives or friends who had adopted a soldier's profession, nor in fact, even if they had, would she have felt any particular anxiety, since she really cared nothing but for her own comfort, though she liked, as adding to that, to have cheerful faces round her. But when it became apparent that the war was going to cost a considerable sum of money, she became much more interested and patriotic.
“And to think that we've been forced into it against our will by those horrid Germans!” she exclaimed to Mr Martin. “I never liked Germans, and now I declare I detest them. My dear, is not this an excellent soufflé? Pray take a little more before, as you say, it sits down. Such a good expression! But where is all the money to come from until we get it back from Germany, when we have beaten her?”
“From the tax-payers, I am afraid,” said Mr Martin.
“Ah! that is like this horrid Radical Government. Why don't they just increase the national debt, instead of making us pay? And Mrs Williams tells me that meat is up a penny in the pound already, and I assure you that the postman never goes by without putting into my letter-box some fresh appeal for money. There is the national fund one day, and soldiers' and sailors' help another, and Belgian refugees a third. One needs to be a millionaire ...”
As a matter of fact, all these appeals that were left in Mrs Hancock's letter-box had proved more expensive to the senders than to the recipient, since she had not given anything to any of them. With a guileless sincerity, that probably deceived herself, she proceeded to explain her attitude, having taken a little more of the soufflé before it sat down.
“They pour in every day,” she said, “but I suppose they will stop soon, and then I shall go very carefully over all of them, and divide among them what I find I can give, for it would be dreadful if I gave away at once all I can afford, and then got some very deserving appeal, which I found I could not respond to. I never thrown one away; I keep them all. But I should like your advice, dear. The national fund, now; could you tell me what you gave to that, and whether it is deserving?”
“I sent them fifty pounds,” said Mr Martin.
Mrs Hancock held up her hands in admiration.
“My dear, I do call that generous,” she said. “Fifty pounds! But you always are so generous. I think, then, as we have subscribed so much to that ~ for now I count all my money as yours ~ I shall leave that out of my list. Everyone must do their share, mustn't they? and we have done ours there. I must go very carefully into my expenses, and see if I cannot save a pound here and a pound there, so as to be able to give liberally.”
An idea of a brilliant nature occurred to her as they rose to leave the table.
“I am sure you feel as I do about it,” she said, “and we must put our heads together to arrange our budget, for after next week, when we are married, it will be our budget, won't it? Now, my dear, I'm going to be very frank with you. You remember that I was going to give you a little motor-car to run about with, and you were going to supply the petrol and tyres. I feel now that you will want to be spared that expense, and I should hate to embarrass you. So let me ~ “
Mr Martin took her hand.
“My dear Julia,” he said, “you want to take the expense of that yourself. But I couldn't possibly permit it. I shall be able to manage it easily.”
For the moment Mrs Hancock, instead of him, was embarrassed. It was really a little difficult to explain that this had not been her idea. But she made light of difficulties when faced by this need of saving a pound here and a pound there. She was going to save a good many pounds here.
“Ah, how willingly I would pay every penny connected with it,” she said, “if only I had the money. But I see I shall have to be very careful for these next months, and what I was going to propose, dear, was that I should postpone my present to you till better times. I know you could ill afford the running expenses of it just now, and as for me, I shall to retrench in every way I can. But I need hardly tell you that my car will always be at your service, if you don't mind walking up that little lane to the golf-links, where it is so bad for the springs. And so we shall both have a little more money to give to some of those funds. I declare I feel quite a miser for their sakes.”
Mrs Hancock's processes of thought were not swift and lightning-like, but calm and brooding, like the radiance of sun on still autumn mornings, and during the next few days she devoted a great deal of quiet time (sitting out in her tent in the garden, for the weather was lovely) to the question of economies. Her decision about Mr Martin's motor, which she had designed to be a wedding present for him next week was a solid piece of retrenchment, and what particularly (so she thought) pleased her about it, was that she had been the means of saving him the expense of its upkeep. Then it seemed to her that wine (which she never touched herself) was an unnecessary luxury in those troubled financial times, and thorough in all she did (including her own habitual self-deception) she cut off her servants' beer money also. To effect this, she summoned her butler and her cook, and made them quite a touching little speech, reminding them that burden of the war must fall on all who were proud to call themselves British, and that all such must cheerfully make sacrifices for the sake of their country. This she expressed so neatly and feelingly that Lind and Mrs Williams quite lost sight of the fact that she was docking their wages and saving herself some ten shillings a week, for this she concealed under the announcement that she was going to provide no wine either for her guests or herself, while the charitable calls on her purse were so numerous, and produced the general impression that it was everybody's duty to deny themselves, rather than that it was her delight to deny everybody else. Further she dismissed her under-gardener (giving him an excellent character), and counter-ordered the painting of her front-gate, and the cutting of the door from Mr Martin's dressing-room into his sitting-room.
She talked over all those admirable plans with him in the course of the next few days. She had noted down the saving that would be effected thereby on a half-sheet of writing paper. “I declare it has been three days' hard work,” she said, “but now, dear, I have got what I call my revised budget ready, and I think that I have provided for the extra taxation you tell me that we must expect, so that I can consider my income will be no less than it was, and I shall be able to give to all these appeals as if there had been no inroads into it. You will not feel, too, as if you were going to marry a pauper, and, apart from the wine, I shall be able to keep a good table still, and shan't starve you! That I was quite determined on, for after all, charity begins at home and certainly doesn't begin by the wife making her husband uncomfortable.”
But the rosy radiance produced by the thought that she was saving money in order eventually to answer all these charitable appeals with suitable generosity, turned rather grey when, in the course of the next month it became apparent that her dividends were not being paid with their accustomed regularity. The chief defaulter was the Thessalian Oil Company which instead of sending £500 to her bank, sent a polite letter to her intimating that it postponed its payment. Mrs Hancock ~ now Mrs Martin ~ had been almost prepared to devote a hundred pounds of this to various charities, and had gone so far as to divide it up (on paper) among them, assigning one ninth to one, and two ninths to another. This had all taken time, and now, it appeared, all that head-work was love's labour lost, since with this uncertainty about dividends, it would be very wrong to be spendthrift in charity that did not begin at home.
“And such trouble as I took about the division, my dear,” she said to her husband, “and it's all thrown away, for I could not give to Belgian refugees, when I may not have enough to pay my own servants. If I had not been prudent at the beginning, when I so much longed to help everybody, I don't know what you and I would be doing to-day!”
Mr Martin was divided between a desire to console his wife for this blow, and a conviction that they were not yet within sight of living one whit less comfortably (apart from the drinking of wine, which only affected him) than before.
“Of course it's a great disappointment to you dear,” he said, “but after all the dividend is only postponed. I daresay in a month or two, it will be paid, and you will be no worse off. I think, if I were you, I should pay some little subscription to all these charities, which really are in need of help.”
His wife became a shade more dignified.
“My dear, I have been accustomed to manage my income so long,” she said, “that you will excuse me if I continue to do so according to the best of my ability. In my view, it would be very wrong of me if I gave away now the money I may need to keep our home together. One does not not know what may happen or how much one may need money for even more pressing claims than these, a little later on. But I am not going to be depressed about it. Let us have a game of that excellent new patience which you showed me yesterday, and see if we can't bring it out, together. Oh, look, there is a little spider on the table. Perhaps that will bring us all better luck!”
The autumn weeks went on, and the appeals to Mrs Martin's charity, none of which she ever threw away, but kept, neatly docketted, with an elastic band round them, got ever bulkier. Sometimes, it is true, the hopelessness of dealing with them all on a scale that should satisfy her generosity, and the impossibility of choosing between them, so grew on her, that she was tempted to throw them all away, but matters never quite came to such a point. In the interval her financial affairs grew a little brighter, there was dawn on the wreck, for all the postponed dividends with the exception of Thessalian Oil were paid, and she felt that she had still a hope of avoiding bankruptcy. On the other hand the scare about the coming Zeppelins increased, and she felt far from easy in her mind about the risk of Heathmoor being bombarded by them. German spies who apparently knew everything, could hardly be unaware ow large a contingent of city men lived there, and it seemed to her, in her less sanguine moments, very likely that they would aim this staggering blow at their hearts and homes. And what if that happened, if a bomb dropped on her garage and blew to motor to atoms? She would certainly have to get a new one. The non-payment of the Thessalian Oil dividend weighed on her as heavy as life. Zeppelins! Thessalian oil! The words obsessed her like a nightmare.
One bright December morning, she received by post a small package and one letter. The package was her pass-book returned from the bank in a highly satisfactory mood, the fruit of her prudent economies. The letter was a communication from the Thessalian Oil Company saying that the postponed dividend had been paid, and that the usual December distribution would take place as usual. At breakfast she talked over this happy development with her husband.
“I declare all this planning and scheming over my little economies has made me quite a financier, dear,” she said. “I knew I should have have to be prudent, and how well it has turned out. Now I shall keep that Thessalian oil dividend apart from my other money, ear-mark it, don't they say, as an insurance against Zeppelins. Then I shall feel quite happy in my mind, and when the December dividends come in, I shall go through all those appeals again. Is it not a lovely morning? You will have a pleasant game of golf. But Lind tells me that coal has gone up another half-crown. Is it not lucky I always have the cellar filled in the summer? He thinks we shall get through till the warmer weather begins without buying any more. But we must be prepared for its not lasting out.”

Reproduced from The Courier [Taunton, Somerset, UK], 28/01/1925

Thursday, 19 September 2013

Juggernaut

Fiction ~ novel
Published 1911
Approx. 105,000 words
(First read 19/09/2013)

Juggernaut¹ tells the story of Margery Morrison's marriage to Arnold Leveson, of her cousin Walter's thwarted love for her, and ... well, that's about it, really.
When we first meet Margery she is sixteen-going-on-seven, bawling her eyes out over a kitten which has supposedly been drowned at the orders of her wicked aunt (Mrs Agnes Morrison, widow).  Marge is an orphan who has lived with said aunt and her cousins (Olive and Walter) for the past few years.  The latter is two years Marge's senior and Benson Type No. 1; the pair have grown up as thick as two short planks ~ oops, sorry, I mean 'as thick as thieves'.  But lo! over the course of a walk, during which it turns out the kitten hasn't been drowned after all (phew! that's a relief), Walter suddenly grows up and realizes he's in love with his couz.
Our heroine, as I've subtly hinted already, is a simple lass: to give her her due, she's the first to admit, on more than one occasion, that she's 'not very clever' ~ a bit of an understatement.  However, she makes up for her lack of brains by being sweet, flawlessly pretty, remorselessly optimistic, open-hearted, generous, pure in spirit and outlook, kind to animals, loving, virginal, saintly ... yes, she's Benson Young Female Type 1: so entirely good that you find it impossible to believe in her.  EFB does his best to convince us she's a bit of a tomboy (or maybe he uses the term 'romp'), but with little success: he's so obsessed with slathering on the 'tiny hands and feet', 'masses of silky hair', 'porcelain complexion' etc. etc. that you're left with the girliest tomboy that ever was. 
Into this cozy mix is thrown (very gently) Mr Arnold Leveson, an elderly bachelor (he's about 30 ~ joke!) and all-round dry-old-stick.  His great passion in life is writing incredibly long and tedious books about Ancient Greece ~ we're treated to a few quotes: they gave me the dry-heaves, I can tell you.  Margery raves about them and, now that Walter has been safely packed off to Germany (!), very soon ends up raving about Arnold himself.  They get married.  Marge is obviously ~ yes, obviously ~ so lacking in any kind of insight that when, on his return, Walter tells her he's over her and he's fine with her marrying Leveson, she believes him.  Walter proceeds to hang stoically around for the rest of the novel, confounded self-sacrificing idiot that he is.
Unfortunately, the marriage doesn't turn out well, to put it mildly².  It becomes clear that Arnold loves his Ancient Greek περίττωμα³ more than his wife.  Margery joins Walter in the Suffering-in-Silence corner.  The End.
No, I don't think I've forgotten anything ... other than: Margery's aunt.  Mrs Morrison is the closest Juggernaut gets to comedy: she's another of EFB's 'classic' middle-aged ~ but prematurely-agèd ~ embittered cows, a close relative of (e.g.) Mrs Hancock over at Arundel [qv].  The difference between the two is that Mrs M is actually pretty rubbish at her selfish manipulatings, constantly putting her foot in it, giving herself away, etc.  But she's nasty to everybody ~ her niece, her own kids, her neighbours, no-one escapes.  Sadly there isn't enough of her, though, to rescue Juggernaut from being a pretty tedious read: the plot is wafer-thin; Margery you just feel like punching; Walter is a moron; Arnold, though 'bad', is as dull and irritating as everyone else; only Walter's sister Olive shows occasional flashes of what might be called 'character', but she's a pretty minor character all told.   



¹ Published in the USA under the title Margery, which is far more sensible.  The UK title suggests a great deal of movement and noise: the novel has neither.
² Without giving too much away (!), I'll just tell you there's another heart-stoppingly callous Bensonian infanticide involved ...
³ The English is one syllable long and rhymes with grit.  Don't blame me if I've got this Greek word wrong: Greek isn't my thang ... obviously. 

THE CRITICS
 
"Juggernaut" in this book is performed by the man, who marries the very attractive heroine, and then allows his literary work so completely to absorb him that her married life becomes a complete failure. Even his wife's health is sacrificed by Arnold Leveson to his book; it is hard to believe that a sane human being could possibly be so absolutely egotistical. The book is written with Mr. Benson's usual powers of observation and analysis, but the nature of the theme is a constant source of irritation. It is impossible to avoid a wish that the scholarly Arnold should meet with some sudden disaster, as that would be the only possible way in which his unfortunate wife, Margery, could be restored to happiness. He declines to allow anyone to come to the house, for fear of disturbing his hours of work, and poor Margery is obliged even to drop her piano playing, in which she might have found an absorbing hobby. The minor characters are well drawn, and the portrait of Margerv's aunt, Mrs. Morrison, is so carefully studied that she is quite entitled to a place as one of the four principals of the book. But here, again, is a study of a purely self-centred egotistical person, and two characters of this sort in one book overweight it with non-conductors of sympathy.
~The Spectator, 04/11/1911
The central issue in Margery, by E. F. Benson, is whether a young woman, replete with the joy of living, can find happiness in marriage with a man who has never in his life known a passion warmer than his delight in Grecian urns and Tanagra figurines. Margery is the child of an ill-assorted marriage; and when, as a forlorn little orphan, she first comes to live with her father's relatives, her aunt Aggie takes good care not to let her forget that her mother was a mere vaudeville dancer. Margery is not malicious or vengeful, but just a sweet, wholesome, not over brilliant girl, whose innate goodness men unconsciously recognise. That was the explanation of the failure of all her Aunt Aggie's too obvious manoeuvres to keep Margery in the background, and marry off her own daughter, Olive. Almost simultaneously Margery has the task of refusing an offer from Cousin Walter, Aunt Aggie's only son, and from Arnold Leveson, whom Aunt Aggie already felt sure of as a son-in-law. Arnold Leveson had all his life been a student and a recluse. He had already written one epoch-making volume on the Alexandrine Age, and was now engaged on a companion work, the Age of Pericles. The wonder was that, in his absorption in antiquities, he ever raised his eyes high enough from books to rest them on Margery's face. But such happened to be the case, and presently they were married. And then, for a while, the experiment succeeded. But after the honeymoon and a brief season of London gaiety, Arnold felt a return of the old fever of study, the old impelling need of creative work. From that moment, Margery's loneliness began; and the rivalry was harder than that of another woman, because against a woman she could have offset her own charms, but she was powerless against ancient tomes and crumbling marble. Mr. Benson did not lack a big issue, but of his own accord he dodged it. What Margery and Arnold would in the end have made of their lives, he refused to tell us, because one fine day in Athens, antiquarian zeal led the man a step too high upon a tottering ruin, and when he and the ruin fell together, he was undermost. It is vexatious when a novelist has all the elements that go to make up a human problem of vital interest, and then deliberately shirks his task.
~Frederic Taber Cooper in The Bookman (US), 11/1911

Tuesday, 18 June 2013

Arundel

Fiction ~ novel
Published December 1914
Approx. 115,000 words
(First read 18/06/2013)

As with The Relentless City [qv], I came to this one completely blind.  'Arundel' is the name of the suburban house where most of the 'action' takes place.  The novel is set very specifically (EFB actually mentions a date) in 1912-13.  I'd classify it as a 'romance with social comedy'.
It opens in ~ of all places! ~ India, where the 18-year-old music-loving Elizabeth Fanshawe lives with her English colonel father and stepmother.  The last of these has some comic potential: a thoroughly selfish and self-indulgent 'married merry widow' ~ she doesn't reappear till near the end, but her return is worth the wait (more anon).
Elizabeth is, like every good Benson girl-heroine, utterly devoted to her daddy ... but not to the extent of really objecting to being sent back to England for the summer for no discernible reason.  So off she trots.
Next we are introduced, in fine detail, to the metro town of Heathmoor, specifically to the inhabitants of 'Arundel'.  Mrs Hancock, a widow, and her 20ish-year-old daughter Edith, who are Elizabeth's paternal aunt and cousin.  Heathmoor is a place of perfect smug comfort and contentment, never a hair out of place, never a feather ruffled, and Mrs Hancock is the embodiment of that ethos.  Here is one of EFB's comic meistermonsters: Mrs H is only 48 but she always comes across as about 30 years older ~ her entire existence revolves around ensuring and perpetuating her own comfort, both physical and emotional (not that she actually has any emotions), to the exclusion of all else, including other people's comfort.  And she contrives to do all this while maintaining the fiction that she never thinks of herself: a typically Bensonian conceit ~ her whole life is an elaborate lie.  On top of this she is extremely miserly, only prepared to spend money on things that will conduce to her own all-important comfort ~ a scene in which she sits down with herself to decide what settlement to make on Edith for her marriage, starting with £400 p.a. and gradually whittling it down to £0 p.a. is very funny.  Luckily, she's no minor character: a good half the book is hers.
Anyway, next door to the Hancocks lives Edward, a young stockbroker (he's about 27: EFB's heroes and heroines are rarely the same age) who ~ and EFB makes no apologies about this, indeed he gives it emphasis ~ is a kind of 'paragon of averageness' ... except in two respects: (1) [Experienced Benson readers will already have guessed] He's extremely good-looking; and (2) [They won't have guessed this one] He has a dreamy passion for music.  Sadly he has no such passion for Edith Hancock, nor she for him, but, it being universally 'expected' that they shall marry, he proposes to her and is accepted.  Alas for Edith! the moment she becomes engaged she starts to fall in love with him.
Into this supremely comfortable ~ and dull ~ world steps Elizabeth Fanshawe on her visit from India.  And ~ alas for Edith again! ~ as soon as Edward hears Elizabeth play the piano after his own disastrous performance (one presumes that if EFB had given him actual performing talent, it would have been 'unmanning'), he realizes she is the other half he's always dreamed of, and that he's made the greatest mistake of his life in proposing to Edith.
The remainder of the novel deals with this impossible love, which is (obviously) utterly sexless, formulaic, Victorian and, frankly, pretty unconvincing.  There's a passage towards the end where Elizabeth, having finally renounced all hopes of having Edward (well, he's gone ahead and married Edith, she having refused to 'release' him), goes to a concert and has some kind of Road to Damascus experience in which the meaning of ~ possibly ~ the entire universe becomes clear to her: it's impossible to say just what happens because EFB goes into Waffle Overload here ~ it's kind of mystical ... or something ... or maybe not.
Just when you think (p. 379 of 382) the story can't possibly have a happy ending (!), Benson performs his once-in-a-million-years-of-literature ~ or in his case once-every-other-novel ~ sleight of hand and the pregnant Edith is taken suddenly ill.  Did I say 'suddenly'? ~ it's practically in mid-sentence.
And lo! within one paragraph of this, she's dead, the baby's dead* ... and the survivors all live happily ever after.
Almost forgot: Mrs Fanshawe's return is worth waiting for because near the very end she and Mrs Hancock meet and spar in a scene reminiscentish of Mapp and Lucia**, the big difference being that Hancock and Fanshawe are kind of trying to outdo one another at exactly the same game, trying to 'out-sweetness' one another.
Like so many of Benson's other novels, Arundel contains quite a lot that is good (Mrs Hancock, the subsidiary inhabitants of Heathmoor) but rather a lot more that is bad (the hero, the heroine, the plot, EFB's extremely dodgy notions of what 'love' is ...). 

The whole novel can be read online here.

STOP PRESS: For a sequel to Arundel, see the short story The Economies of Mrs Hancock (1925).

*No, EFB doesn't even draw the line at infanticide when the infant in question would be 'inconvenient'.
**Dang! ~ I mentioned them! 

THE CRITICS


Mr Benson at his subtle best.
~Pall Mall Gazette, quoted in newspaper ad of 18/12/1914
Arundel is truly E F Bensonian. That is, it is full of delightful chatter, more or less irresponsible, about a group of people who are all socially charming, though one or two of them may be trying to live with. They enjoy croquet, love Wagner, become engaged, marry, and even die ~ and we are entertained, in fact, quite touched, by their adventures, but we know that all is for the best, and that their ineptitudes will be more kindly dealt with by Mr Benson than they would by life. [...] The story is most readable throughout.
~Manchester Courier, 28/12/1914
Mr E F Benson is much too practised a novelist to write a book which is not clever and interesting. In Arundel the womenfolk are undoubtedly the most convincing, and while Mrs Hancock is not the principal person in the somewhat limited community into which we are introduced, she is certainly the most amusing, and her inconsequential volubility, endeavouring as she does to [illegible: probably 'hide'] her intense desire that all should minister to her comfort, is thoroughly entertaining. The hero is a strange creation. Mr Benson has imagined a Stock Exchange man of so little knowledge of himself that you would have believed he had always lived a quiet and retiring life. [...]  [Edith and Elizabeth] are very human, and the strength of characterisation is equal to the powers which Mr Benson has already shown himself to possess. “And for those who follow the gleam there is always light sufficient to show them their way” quotes Mr Benson, and this is the text of a good story.
~Western Daily Press, 04/01/1915

Arundel (Fisher Unwin) is one of those stories that begins with a Prologue; and as this was only mildly interesting I began to wonder whether I was going to be as richly entertained as one has by now a right to expect from Mr. E. F. Benson. But it appeared that, like a cunning dramatist, he was only waiting till the audience had settled into their seats; when this was done, up went the curtain upon the play proper, and we were introduced to Arundel itself, an abode of such unmixed and giddy joy that I have been chortling over the memory of it ever since. Arundel was the house at Heathmoor where lived Mrs. Hancock and her daughter Edith; and Mrs. Hancock herself, and her house and her neighbourhood and her car and her servants and her friends—all, in fact, that is hers, epitomize the Higher Suburbia with a delicate and merciless satire that is beyond praise. I shall hurry over the actual story, because that, though well and absorbingly told, is of less value than the setting. Next door to the Hancocks lived a blameless young man called Edward, whom for many reasons, not least because their croquet-lawns, so to speak, "marched," Mrs. Hancock had chosen as her daughter's husband. So blamelessly, almost without emotion, these were betrothed, walking among the asparagus beds on a suitable May afternoon "ventilated by a breath of south-west wind and warmed by a summer sun," and the course of their placid affection would have run smooth enough but for the sudden arrival, out of the Prologue, of Elizabeth, fiercely alive and compelling, the ideal of poor Edward's dreams. Naturally, therefore, there is the devil to pay. But, good as all this is, it is Mrs. Hancock who makes the book, first, last and all the time. She is a gem of purest ray serene, and my words that would praise her are impotent things. Only unlimited quotation could do justice to her sleek self-deception and little comfortable meannesses. In short, as a contemporary portrait, the mistress of Arundel seems to be the best thing that Mr. Benson has yet given us; worth—if he will allow me to say so—a whole race of Dodos. For comparison one turns instinctively to Jane Austen; and I can sound no higher praise.
~Punch, 03/02/1915

One piece of superb characterisation lifts Arundel […] to the plane of its author, Mr E. F. Benson's best work. The story in itself is excellent. It is at least a human situation, when a young man somewhat hurriedly becomes engaged without loving to his full capacity, without even waiting for friendship to turn to love at all, and then meets the perfect she who can evoke his deepest feeling and stir him to passion. This situation Mr Benson handles with a transcendental regard for love, and with rhapsodical devotion to music, particualrly Wagner's. The interest in the story is well maintained. But it is not the story which lifts the book to greatness ~ it is the perfectly-drawn figure of Mrs Hancock. It may seem strange that the delineation of an odiously selfish woman should do what ideal thinking and fine eloquence fail to achieve; but Mr Benson has sung of love and Wagner's Siegfried before now. The ecstasies of Arundel may be matched elsewhere in his works. Not so the wonderful Mrs Hancock. Here is an absolutely selfish person, yet she is no mere personification of a single quality, an abstraction clothed in human form. She is individual and alive. Her whole life is a selfish concern for her own comfort; her entire energy is devoted to securing that comfort in all the trivial details of well-to-do suburban existence, and yet she is forever pretending even to the point of fussiness to be concerned for the happiness of others. Mr Benson indulges in no direct attack upon the lady, no note of bitterness mars the suave gravity, almost geniality of his depiction of Mrs Hancock. Yet despite the author's unbroken graciousness, the matron rustles through the pages one of the most worthless beings that ever arrayed herself in the finest pink of all the proprieties. Mrs Hancock is a rare achievement, and would make remarkable any story, and Arundel is sufficiently good a story to be able to do without her. But what a difference her absence from the pages would make.
~The Liverpool Daily Post and Mercury [UK], 24/02/1915
 By no means the best of Mr. Benson's many stories—two selfish and talkative women of middle age are too much for any one novel. Nor are the unhappy love affairs of the humdrum man and young woman of a quiet English village very exciting, even when the brilliant, witty, and highly energetic lady from India converts their tepid affection into a tragedy of the passions.
~The Outlook (US), 31/03/1915
Mr. Benson has written a musico-psychological novel in a prologue, three books, and 350 closely printed pages. It is all about a young girl who, in addition to all the virtues, moral and physical, that young womanhood ought to possess, has a passion for music and much skill in its execution. Into her life enters a young man, also endowed with a musical, but inarticulate, soul. The obvious plan would have been for the two to get married and spend the rest of their lives going to the opera together—as, being in prosperous circumstances, they could very well have afforded to do. This, however, would have entailed a short book and an unpsychological one; so the author astutely arranges that the young man, shortly before his first meeting with Elizabeth, shall have carelessly engaged himself to her cousin, and many pages are devoted to a conscientious analysis of the feelings of the three parties to this blameless triangle. Truth to tell, the result is a somewhat dull book, written in a style of laborious realism, reminiscent of Arnold Bennett in his most determined moments, and only in part redeemed by illuminative sketches of some of the minor characters, and by occasional flashes of the humor that we know Mr. Benson can display. One feels on laying the book aside that the reward has been incommensurate with the pains, for one remains unconvinced of the reality of any of the three principal characters.
~The Nation, 13/05/1915

Arundel (1914) opens in Peshawar in India but subsequently moves to London. The story is banal and the prose thick, and there is a lack of the amusing peripheral characters that Fred often uses to lighten a turgid atmosphere*. The best scenes are those set in India**; they bring out all the scents and colours of the country that Fred had absorbed during his stay there with Francis Yeats-Brown a couple of years before.
 
~Geoffrey Palmer and Noel Lloyd in E. F. Benson As He Was, 1988. * !!! ~ I can only imagine Mrs Hancock had completely slipped Messrs Palmer and Lloyd's memory when they wrote this. ** i.e. the first two chapters, about 50 pages of the 370.